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List of famous writers from Malayalam language with their pen names


Pen names of malayalam writers
                 There are several Kerala Malayalam writers who write under their pen name (pseudonym or short name or nick name). The most commonly asked Malayalam Writers pen names (Thoolika Namam) by Kerala Public Service Commission are K. Sreekumar (Asha Menon), Achuthan Namboothiri (Akkitham), P.V. Ayyappan (Kovilan), V. Madhavan Nair (Maali), P.C. Gopalan (Nandanar), MR Nair (Sanjayan), P.C. Kuttikrishnan (Uroob), and    M.K. Menon (Vilasini). 
List of famous writers from Malayalam language with their pen names

PEN NAME / PSEUDONYM / NICK NAME

MALAYALAM WRITERS NAME
KESARI
VENGAYIL KUNJIRAMAN NAYANAR
N.K. KRISHNANKUTTI
VELOOR KRISHNANKUTTI
V.K.N OR VKN
V.K. NARAYANANKUTTI
MAALI
V. MADHAVAN NAIR
IDAMARUKU
T.C. JOSEPH    
BAALAGOPALAKURUPPU
SURAASU
OLAPPAMANNA
SUBRAHMANYAM NAMPOOTHIRIPPADU
MERY JOHN THOTTAM
SISTER MERY BENEENJA
BHANU SINHA
RAVEENDRA NADHA TAGORE
PAMMAN
R. PARAMESWARA MENON
SANKARANKUTTI
POTTAKADU
KOVILAN
P.V. AYYAPPAN
UROOB
P.C. KUTTIKRISHNAN
NANDANAR
P.C. GOPALAN
ANAND
P. SACHIDANANDAN
THIKODIAN
P. KUNJANANANTHAN NAIR
INDHUCHOODAN
NEELAKANDAN KK
OHM CHERI
N. NARAYANAN PILLA
SANJAYAN
M.R. NAIR (MANIKKOTH RAMUNNI NAIR)
PREMJI
M.P. BHATTATHIRIPPADU           
VYSAKHAN
M.K.GOPINATHAN NAIR
VILASINI
M.K. MENON
SINIK
M. VASUDEVAN NAIR
K. KRISHNAN NAIR
KRISHNA CHAITHANYA
KUTTIPPURAM
KESAVAN NAIR
MADHAVIKUTTY
KAMALA SURAIYYA (KAMALA SURAYA)
KUVEMPU
K.V. PUTTAPPA
EKALAVYAN
K.M. MATHEWS
PAARAPPURATHU
K.E. MATHAYI
ASHA MENON
K. SREEKUMAR
KUNJIRAMAN
K. PANOOR
N.N. KAKADU
K. NARAYANAN NAMPOOTHIRI
IDASSERI
IDASSERI GOVINDAN NAIR
CHERUKAADU
GOVINDA PISHARADI
KAKKANADAN
GEORGE VARGHESE
G.
G. SANKARA KURUP
KANAM
E.J. PHILIP
DOMANIC CHAKO
D.C. KIZHAKEMURI
KESAVAPILLA
BOTHESWARAN  
KOZHIKKODAN 
APPUKUTTAN NAIR
AKKITHAM
ACHUTHAN NAMBOOTHIRI
ABRAHAM THOMAS
A.D. KOVOOR

2 comments:

Anonymous said...

Thanx for sharing buddy....

Unknown said...

Friends I want share with you some A dialogue is a conversation. Writing is a conversation between the writer and the reader. In our case, between the poet and the poetry readers. If you’re publishing your work, don’t pretend you don’t care what other people think of it if they don't seem to understand or like it. Of course you do! You're not going to please everybody all the time, so don't worry about the odd negative comment, but if people aren't responding as you'd like them to, try to see it as an opportunity. Take feedback on board, rewrite and perhaps even send a message to ask someone who has commented to comment again on your latest draft. One of the mistakes it's easy to make is writing about something with implications that seem obvious to you, but are not contained in the poem itself and so are unclear to someone who doesn't know you. Imagine reading it as someone who has no idea whether you’re old or young, male or female, American or Australian, a pupil or a teacher… is it as obvious now? If you want the dialogue you are having with unknown readers to improve, you have to learn to read your own poems from a stranger’s perspective. That is one of the most useful skills in improving your poetry. You can try it with something you’ve written now. Go through line by line from the beginning and try to write down what a stranger would interpret from what you’ve said. The picture will build up through the poem, but it may be that you can identify a place where you’ve assumed they will understand something that is obvious to you, but wouldn’t make sense without some piece of knowledge that you have about your life which is separate from the poem.
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